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The Discreet Charm of the Bourgeoisie (French: Le Charme discret de la bourgeoisie) is a 1972 surrealist film directed by Luis Buñuel and written by Buñuel in collaboration Jean-Claude Carrière. The film was made in France and is mainly in French, with some dialogue in Spanish.
The film consists of several thematically linked scenes: five gatherings of a group of bourgeois friends, and the four dreams of different characters. The beginning of the film focuses on the gatherings, while the latter part focuses on the dreams, but both types of scenes are intertwined. There are also scenes involving other characters, such as two involving a Latin American female terrorist from the Republic of Miranda. The film's world is not logical: the bizarre events are accepted by the characters, even if they are impossible or contradictory.
Buñuel plays tricks on his characters, luring them toward fine dinners that they look forward to, which always somehow end up being ruined in inventive ways. They bristle, and politely express their outrage, but they never stop trying; they relentlessly expect and pursue all that they desire, as though it were their natural right to have others serve and pamper them. He exposes their sense of entitlement, their hypocrisy, and their corruption. In the dream sequences, he explores their intense fears—not just of public humiliation, but of being caught by police and of being mowed down by guns. At least one character's dream sequence is later revealed to be nested, or embedded, in another character's dream sequence. As the dreams-within-dreams unfold, it appears that Buñuel is also playing tricks on his audience as they try to make sense of the story.
The narrative concerns a group of bourgeois people attempting—despite continual interruptions—to dine together. The film received the Academy Award for Best Foreign Language Film and a nomination for Best Original Screenplay.

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