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silencio
Mulholland Drive (stylized as Mulholland Dr.) is a 2001 American neo-noir mystery film written and directed by David Lynch and starring Naomi Watts, Laura Harring, Justin Theroux, Ann Miller, Mark Pellegrino and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles, who meets and befriends an amnesiac woman (Harring) recovering from a car accident. The story follows several other vignettes and characters, including a Hollywood film director (Theroux).
Originally conceived as a television pilot, a large portion of the film was shot in 1999 with Lynch's plan to keep it open-ended for a potential series. After viewing Lynch's cut, however, television executives rejected it. Lynch then provided an ending to the project, making it a feature film. The half-pilot, half-feature result, along with Lynch's characteristic style, has left the general meaning of the film's events open to interpretation. Lynch has declined to offer an explanation of his intentions for the narrative, leaving audiences, critics, and cast members to speculate on what transpires. He gave the film the tagline "A love story in the city of dreams".Categorized as a psychological thriller, Mulholland Drive earned Lynch the Prix de la mise en scène (Best Director Award) at the 2001 Cannes Film Festival, sharing the prize with Joel Coen for The Man Who Wasn't There. Furthermore, Lynch would also earn an Academy Award nomination for Best Director. The film launched Harring's career, boosted Watts' Hollywood profile considerably, and was the last feature film to star veteran Hollywood actress Ann Miller.
Mulholland Drive is now widely regarded as one of Lynch's finest works and one of the greatest films of the 21st century, ranking 28th in the 2012 Sight & Sound critics' poll of the best films ever made and topping a 2016 poll by BBC Culture of the best films since 2000. A. O. Scott of The New York Times writes that while some might consider the plot an "offense against narrative order ... the film is an intoxicating liberation from sense, with moments of feeling all the more powerful for seeming to emerge from the murky night world of the unconscious".
Interesting Headstamp Publishing is coming out with a silencer history book soon. Anywho, just passing along the discussion that focuses on cans and not so much the aforementioned book.