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kinetic development
Kinetic art is art from any medium that contains movement perceivable by the viewer or depends on motion for its effect. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated (see e. g. videos on this page of works of George Rickey, Uli Aschenborn and Sarnikoff). The moving parts are generally powered by wind, a motor or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles.
There is also a portion of kinetic art that includes virtual movement, or rather movement perceived from only certain angles or sections of the work. This term also clashes frequently with the term "apparent movement", which many people use when referring to an artwork whose movement is created by motors, machines, or electrically powered systems. Both apparent and virtual movement are styles of kinetic art that only recently have been argued as styles of op art. The amount of overlap between kinetic and op art is not significant enough for artists and art historians to consider merging the two styles under one umbrella term, but there are distinctions that have yet to be made.
"Kinetic art" as a moniker developed from a number of sources. Kinetic art has its origins in the late 19th century impressionist artists such as Claude Monet, Edgar Degas, and Édouard Manet who originally experimented with accentuating the movement of human figures on canvas. This triumvirate of impressionist painters all sought to create art that was more lifelike than their contemporaries. Degas' dancer and racehorse portraits are examples of what he believed to be "photographic realism";. During the late 19th century artists such as Degas felt the need to challenge the movement toward photography with vivid, cadenced landscapes and portraits.
By the early 1900s, certain artists grew closer and closer to ascribing their art to dynamic motion. Naum Gabo, one of the two artists attributed to naming this style, wrote frequently about his work as examples of "kinetic rhythm". He felt that his moving sculpture Kinetic Construction (also dubbed Standing Wave, 1919–20) was the first of its kind in the 20th century. From the 1920s until the 1960s, the style of kinetic art was reshaped by a number of other artists who experimented with mobiles and new forms of sculpture.
Selling my MREX hand guard from Kinetic Development Group. This is the 6.5” hand guard in excellent condition. Was mounted on my SCAR 17 but decided to short barre it and this is too long. Absolutely no damage or marks, I do not have the original box. Asking $250 shipped
Looking to trade a piece that runs awesome but doesn’t get shot much. Needing optics more than rifles at the moment. Interested in quality LVPO, red dots from Steiner, Aimpoint, Trijicon, Nightforce, Eotech (voodoo), nicer Vortex or Leupold…you get the idea. Let me know what you have. Located in...
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These are just collecting dust at this point so they're on the chopping block...
Nikon P223 Fixed 3x with BDC Reticle and FDE Nikon P-Tactical rings. Lens cover included. $100
SOLD
Kinetic Development "Sidelok" mount for Aimpoint T1/T2/H1/H2 footprint. 1/3 Cowitness. Includes Allen wrench...
Need a Spikes lower to mate my Spikes upper to. I already have the Spartan, Viking and DTOM lowers but beggars can't be choosers. Willing to pay cash +BGC and travel from Rainier OR.
My trades:
-Vortex 30mm cantilever scope mount.
-Kinetic Development Aimpoint T2/H2 lower 1/3 QD mount including...
Aimpoint Micro H2
- Purchased October 2020
- Kinetic Development Sidelok 1/3 Cowitness mount with original package and special Allen wrench
- Tango Down ODG rubber cover. I modified it a bit to accommodate the Aimpoint factory flip caps
- Original box/paperwork
Awesome little optic, rugged...